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Game Review: Sleaford Mods' Jason Williamson Assumes Character in Critical Look at 90s Rave Culture

Helmed by Bristol sound co-founder the musician-producer, this scabrous if slight first film turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to break into his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on themselves – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Woodsman arrives, fuming after David kills his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Poacher denying his container of cider, determined to soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Vibe

There is only one key story turn, but it leads to a comically executed chaotic run on the woodland paths that dips close to rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

Game is in British and Irish cinemas from November 17.

The writer

Emily Clark

Lena Visser is a senior journalist with over a decade of experience covering international affairs and digital trends.

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